The Doors - 10/11/1968 Minneapolis, Minneappolis Concert Hall

Que tal doorsianos!!, he estado trabajando en el blog de manera un poco silenciosa arreglando los link caídos, pero ya era hora de un nuevo aporte. Minneapolis 1968, un concierto, ufff, muy difícil de describir. La banda vuelve de Europa y comienza una mini gira el 31 de octubre en Louisville y terminando el 10 de noviembre en Minneapolis, estaban metidos completamente en The Soft Parade y todos sabemos el nivel de tensión que había en esa fecha, miles y miles de dólares invertidos en el álbum y Jim queriendo abandonar el grupo por las intensas presiones de Pamela. Jim se notaba muy cansado y estaba muy ebrio, Soul Kitchen y Break on Through, una interpretación desganada, me imagino a Jim apoyado en el pedestal de Mic. fumando y balanceandose, pero todo empieza a cambiar en When the Music's Over y con la llegada de Tony Glover en la armónica a partir de Back Door Man, fue como si Jim despertara. Versos improvisados durante Back Door Man dedicados para las chicas que se encontraban en el Minneappolis Concert Hall: "Little girl you looking fine, make me wanna draw the line, little girl yeah, yeah, lookin' fine, yeah!, fuck me babe, fuck me girl, suck my COCK honey, around the world yeah! Ahhhahhahaahhaa!". Como siempre la gente pedía y gritaba los temas que querían escuchar, pero antes de comenzar Little Red Rooster, Jim la introduce diciendo: "This is an old blues song. Howlin Wolf wrote it and thank you. Well I think he wrote it so thank you." con el sarcasmo que le caracterizaba, luego al terminar encara al público diciendo " esto es democracia, uds. primero... sexo democrático".

Luego Wild Child y Money de forma perfecta, una larga improvisación en Love me Two Times, me imagino lo aburrido que estaba Jim en tan largo solo de armónica (Jim odiaba el solo de Light my Fire) y lanza el sigte. verso: "Throw hands around my cock. Throw legs around my neck! gonna love that girl, all night long. All right! .

I hate to end my song, I love you all night long, I hate to end my song, love you all night long". Su ánimo decae en Light my Fire y era obvio, Jim era difícil que aguantase 4 conciertos seguidos, el se entregaba por completo, pensando que siempre podía ser el último, pero a veces esto le pasaba la cuenta. Bueno amigos esto es una JOYAAA y sé que lo sabrán valorar. Un trago y a disfrutar!!!! JOMO.

Set List:
1. Soul Kitchen
2. Break On Through
3. When The Music's Over
4. Back Door Man
5. Little Red Rooster
6. Wild Child
7. Money
8. Love Me Two Times
9. Light My Fire

DOORSIANOS! I'VE BEEN WORKING ON THE BLOG IN SILENT ARRANGING THE LINK, BUT IT WAS TIME FOR A NEW CONTRIBUTION. MINNEAPOLIS 1968, CONCERT, UFFF, VERY DIFFICULT TO DESCRIBE. THE BAND RETURNS FROM EUROPE AND A MINI-TOUR BEGINS ON OCTOBER 31 IN LOUISVILLE AND ENDING ON NOVEMBER 10 IN MINNEAPOLIS, WERE ENGAGED FULLY IN THE SOFT PARADE AND WE ALL KNOW THE LEVEL OF TENSION THAT HAD AT THAT TIME, THOUSANDS AND THOUSANDS OF DOLLARS INVEST IN THE ALBUM AND JIM WANTED TO LEAVE THE BAND TO THE HEAVY PRESSURES OF PAMELA. JIM FELT VERY TIRED AND WAS VERY DRUNK, SOUL KITCHEN AND BREAK ON THROUGH, GRUDGING INTERPRETATION, I GUESS JIM LEANING ON THE PEDESTAL OF MIC. SMOKING AND ROCKING, BUT EVERYTHING STARTS TO CHANGE IN WHEN THE MUSIC'S OVER AND THE ARRIVAL OF TONY GLOVER ON HARMONICA FROM BACK DOOR MAN, IT WAS AS IF JIM WAS AWAKE. IMPROVISED VERSES FOR BACK DOOR MAN DEDICATED TO GIRLS WHO WERE IN THE CONCERT HALL MINNEAPPOLIS: "LITTLE GIRL YOU LOOKING FINE, MAKE ME WANT TO DRAW THE LINE, LITTLE GIRL YEAH, YEAH, LOOKIN 'FINE, YEAH!, FUCK ME BABE, FUCK ME GIRL, SUCK MY COCK HONEY, AROUND THE WORLD YEAH! AHHHAHHAHAAHHAA! ". AS ALWAYS PEOPLE CALLING AND CRYING ISSUES THEY WANTED TO HEAR, BUT BEFORE LITTLE RED ROOSTER, JIM INTRODUCES IT BY SAYING: "THIS IS AN OLD BLUES SONG. HOWLIN WOLF WROTE IT AND THANK YOU.

WELL I THINK HE WROTE IT SO THANK YOU. "WITH HIS CHARACTERISTIC SARCASM, THEN AT THE END FACING THE PUBLIC SAYING" THIS IS DEMOCRACY, PC. FIRST ... DEMOCRATIC SEX. WILD CHILD AND THEN SEAMLESSLY MONEY, A LONG IMPROVISATION ON LOVE ME TWO TIMES, I IMAGINE HOW BORING IT WAS JIM'S SUCH A LONG HARMONICA SOLO (JIM HATED THE SINGLE LIGHT MY FIRE) AND LAUNCHES THE SIGTE. VERSE: "THROW HANDS AROUND MY COCK. THROW LEGS AROUND MY NECK! GONNA LOVE THAT GIRL, ALL NIGHT LONG. ALL RIGHT! I HATE TO END MY SONG, I LOVE YOU ALL NIGHT LONG, I HATE TO END MY SONG, LOVE YOU ALL NIGHT LONG. "HIS SPIRITS FELL IN LIGHT MY FIRE AND IT WAS OBVIOUS JIM WAS DIFFICULT TO PUT UP WITH 4 CONCERTS IN A ROW, IS DELIVERED IN FULL, THINKING THEY COULD ALWAYS BE THE LAST, BUT SOMETIMES THIS WAS WRONG ACCOUNT. WELL THIS IS A JOYAAA FRIENDS AND I KNOW YOU WILL APPRECIATE. ONE DRINK AND ENJOY!! JOMO.


Link: http://www.megaupload.com/?d=575V3OYW

Break on Through Live in New York, Esto es sólo una previa, para chequear lo que se viene...

Esto es un nuevo Box set de seis discos, que contiene los cuatro espectáculos de The Doors en su totalidad, grabado en 1970 en el Felt Forum de Nueva York. Registrados el 17 y 18 enero de 1970, apenas unas semanas antes del lanzamiento de Morrison Hotel. Estos conciertos muestran a Jim Morrison, John Densmore, Robby Krieger y Ray Manzarek muy herméticos con lo que seria su próximo trabajo de estudio.

Los fans serán arrastrados por el sonido vibrante de este nuevo disco “Live In New York”. Los cuatro Shows están mezclados y masterizados por el ingeniero veterano de la banda, Bruce Botnick, que registró varios espectáculos de la gira de The Doors de 1970, en una grabación multipista para el álbum Absolutely Live. Lamentablemente, estos Shows representan los últimos de The Doors en la ciudad de Nueva York con Jim Morrison.

Ray Manzarek aclama estos Shows como un retorno a los primeros días del grupo, cuando tocaban en un club llamado London Fog. "Quiero decir, de volver a lo básico. Solíamos hacer cuatro set en una noche en el London Fog, y sólo había una pequeña cantidad de canciones escritas hasta ese momento. Entonces teníamos que interpretar mucho material de otras personas. Y en Nueva York, fue lo mismo que London Fog. Teníamos cuatro espectáculos que tocar, dos set una noche y dos set al próximo día. Vamos a tocar todo lo que queramos, Sólo hay que hacerlo! "

Y así fue. Junto con una mezcla por entonces de canciones nuevas con canciones antiguas, la banda también aprovechó de incluir en el repertorio, temas de su primer álbum homónimo , como "Break On Through (To The Other Side)", "Soul kitchen "," The End "y" Light My Fire," el primer tema que The Doors pondría en el número 1, en todos los ranking. También agregando a estos Shows la naturaleza de improvisación de la banda, por cierto, en la última noche, la banda compartió el escenario con dos invitados, un muy buen amigo de la banda, John Sebastián (que tocaba la armónica en la versión de estudio de "Roadhouse Blues") y el baterista Dallas Taylor.

Esto es un adelanto, es sólo una previa, para chequear lo que se viene...
Hazle click y dejalo correr, nada más...

THIS IS A NEW SIX-DISC BOX SET CONTAINING ALL FOUR PERFORMANCES OF THE DOORS IN ITS ENTIRETY, RECORDED IN 1970 AT THE FELT FORUM IN NEW YORK. REGISTERED ON 17 AND 18 JANUARY 1970, JUST WEEKS BEFORE THE RELEASE OF MORRISON HOTEL. THESE SHOWS SHOW JIM MORRISON, JOHN DENSMORE, ROBBY KRIEGER AND RAY MANZAREK VERY TIGHT WITH WHAT WOULD BE HIS NEXT STUDIO WORK. FANS WILL BE BLOWN AWAY BY THE VIBRANT SOUND OF THIS NEW ALBUM "LIVE IN NEW YORK". THE FOUR SHOWS ARE MIXED AND MASTERED BY VETERAN ENGINEER OF THE BAND, BRUCE BOTNICK, WHO RECORDED SEVERAL SHOWS FROM THE TOUR OF THE DOORS, 1970, IN A MULTITRACK RECORDING FOR THE ALBUM ABSOLUTELY LIVE. UNFORTUNATELY, THESE SHOWS REPRESENT THE LAST OF THE DOORS IN NEW YORK CITY WITH JIM MORRISON. RAY MANZAREK THESE SHOWS ACCLAIMED AS A RETURN TO THE EARLY DAYS OF THE GROUP, WHEN THEY PLAYED AT A CLUB CALLED LONDON FOG. "I MEAN, BACK TO BASICS. WE USED TO DO FOUR SET IN A NIGHT AT THE LONDON FOG, AND HAD ONLY A SMALL AMOUNT OF SONGS WRITTEN SO FAR. SO FAR WE HAD TO INTERPRET OTHER PEOPLE'S MATERIAL. AND IN NEW YORK, WAS THE SAME AS LONDON FOG. WE HAD TO PLAY FOUR SHOWS, TWO SET ONE NIGHT AND TWO SET FROM NEXT DAY.

WE WILL PLAY WHATEVER WE WANT, JUST HAVE TO DO IT! " AND HE DID. ALONG WITH A MIX OF NEW SONGS BY THEN WITH OLD SONGS, THE BAND ALSO USED TO INCLUDE IN THE PORTFOLIO, ISSUES ITS FIRST EPONYMOUS ALBUM, INCLUDING "BREAK ON THROUGH (TO THE OTHER SIDE)", "SOUL KITCHEN, THE END "AND" LIGHT MY FIRE, "THE FIRST SONG THAT THE DOORS WOULD THE NUMBER 1 RANKING AT ALL. ALSO ADDING TO THESE SHOWS THE IMPROVISATIONAL NATURE OF THE BAND, BY THE WAY, LAST NIGHT, THE BAND SHARED THE STAGE WITH TWO GUESTS, A VERY GOOD FRIEND OF THE BAND, JOHN SEBASTIAN (WHO PLAYED HARMONICA ON THE STUDIO VERSION OF "ROADHOUSE BLUES") AND DRUMMER DALLAS TAYLOR. THIS IS AN ADVANCE, IS ONLY A PRELIMINARY TO CHECK WHAT'S COMING ... LET THEM CLICK AND LEAVE IT RUNNING, JUST ...

Break on Through Live in New York, Nuevo Box Set



fuente:www.thedoors.com

The Doors Anthology Universal Mind [1970]

Penultima entrega, Los doors a lo largo de toda su carrera musical fueron caracterizados por combinar ritmos, como el jazz y el blues, otra caracteristica excepcional que adquirieron tanto jim morrison como los demas integrantes fue el de la improvisacion, y si de eso estamos hablando este disco se pinta solo, jim se salia de la estructura original de la cancion por lo que sus compañeros inteligentemente interpretaban un solo musical excelente, se adaptaban con gran maestria a las poeticas improvisaciones de morrison hasta regresar a la cancion original, lo cual hizo de las actuaciones de los doors mas miticas y psicodelicas, tal es el caso de presentaciones maravillosas como las mostradas en este volumen, como lo son bakersfiled, seattle, vancouver y el festival de la isla the wigh.



"I'm The Freedom Man"


01 – People Get Ready / Mystery Train / Crossroads
02 – Light My Fire / Fever / Summertime / St. James Infirmary
03 – Love Me Two Times / Baby Please Don't Go / St. James Infirmary
04 – Universal Mind
05 – The End


Track 1: Seattle Center Coliseum; Seattle, WA; June 5, 1970
Track 2: Pacific National Exhibition Coliseum; Vancouver, British Columbia, Canada; June 6, 1970
Tracks 3-4: Bakersfield Civic Auditorium; Bakersfield, CA; August 21, 1970
Track 5: Isle of Wight Festival; Isle of Wight, England; August 29, 1970

PENULTIMATE DELIVERY TO THE DOORS THROUGHOUT HIS CAREER WERE CHARACTERIZED BY COMBINING RHYTHMS SUCH AS JAZZ AND BLUES, THEY ACQUIRED ANOTHER UNIQUE FEATURE BOTH JIM MORRISON AND THE OTHER MEMBERS OF THE IMPROVISATION WAS, AND IF WHAT WE'RE TALKING THIS DISC IS PAINTED ONE, JIM LEFT THE ORIGINAL STRUCTURE OF THE SONG AS HIS FELLOWS INTELLIGENTLY PERFORMED A MUSICAL JUST EXCELLENT, SKILFULLY ADAPTED TO THE POETIC IMPROVISATIONS MORRISON TO RETURN TO THE ORIGINAL SONG, WHICH MADE THE PERFORMANCES OF THE MOST MYSTICAL AND PSYCHEDELIC DOORS, THIS IS SO WONDERFUL PRESENTATIONS LIKE THOSE SHOWN IN THIS VOLUME, AS ARE BAKERSFILED, SEATTLE, VANCOUVER AND THE FESTIVAL ISLE OF THE WIGHT.

Download Link: http://www.megaupload.com/?d=J512IG97

02 August 1968, Flushing Meadows Park, Singer Bowl, Queens, NY

The Doors headline with opening act The Who. Jim's limo driver gets lost before the show in the traffic of the crowd and the limo is mobbed by fans. Jim gets out and the fans go crazy grabbing his clothes and hair forcing items, necklaces, etc. into his hands. He finally makes it backstage and decides to take a walk around the arena. He gets 10 yards down the hallway and is swarmed by hundreds of fans and is forced to go backstage. The Who refuses to play with The Doors equipment on stage during their set. They get there way and go on but the rotating stage gets stuck and a quarter of the restless crowd cannot see the band furiating many of the audience. They finish the set smashing their equipment and the crowd is roaring. Pete Townsend walks off telling The Doors people that the crowd is ready to explode!

The Doors wait 30 minutes and finally take the stage with Jim waiting even longer as the others jam. Jim comes out swarmed by security and his film crew. The fans who cannot see begin to storm the stage and are thwarted back by security. Jim is animated and growls songs while dancing and gyrating, hopping and twirling in a shamanic tide often rapping obscenities during breaks and between songs. The crowd is hot and Jim is in rare form. The tension builds with each song, each chant, each movement. Jim and the audience are one. He feels there emotions boiling and slowly turns up the heat. Jim throws himself down on the stage and crawls around on his belly driven by the music, the crowd, and his demons. The Doors finish with "The End" and as Jim sings the last note, falling back on the stage, the crowd as if being pulled back like an arrow, as if on cue, suddenly erupt and thunderously rush the stage. The crowd overtakes the stage and begins smashing the bands equipment. The riot rages on for over an hour with the band backstage drinking. Many fans are injured, hospitalized or arrested.

SETLIST:

Introductory Instrumental (without Jim)
01.Back Door Man
02.Five To One
03.Break On Through
04.When The Music's Over
"Vast Radiant Beach"
"Dawn's Highway"
"The Royal Sperm"
When The Music's Over
05.Wild Child
06.Wake Up!
07.Light My Fire
08.The End* (*alternative source)
"Fall Down Now; Strange Gods Are Coming"
"The Sea Is Green"
"I'm coming; I hear you calling"
"The creature's nursing it's child; Leave this child alone!"
"Don't Come Here! Don't Come In!"
"Ensenada"
"The killer awoke before dawn..."
The End

LINK: HERE

The Doors Anthology When The Music's Over [1970]

Sexta Parte, Despues del difícil año 1969 The Doors Iniciaría una, excelente y exitosa gira por estados unidos, Llevando acabo magníficas presentaciones, interpretando temas de su nuevo disco Morrison Hotel, y algunas temas inéditos interpretados sólo en conciertos.

"Music Is Your Only Friend, Until The End"

01 – The Celebration of The Lizard
02 – Build Me A Woman
03 – Gloria
04 – The Spy
05 - Carol
06 – Someday Soon
07 – When The Music's Over
08 – Been Down So Long


Tracks 1-2: Felt Forum; New York, NY; January 17, 1970
Track 3: Felt Forum; New York, NY; January 18, 1970
Track 4: Boston Arena; Boston, MA; April 10, 1970
Track 5: The Spectrum; Philadelphia, PA; May 1, 1970
Tracks 6-7: Pittsburgh Civic Arena; Pittsburgh, PA; May 2, 1970
Track 8: Cobo Hall; Detroit, Michigan; May 8, 1970

PART SIX, AFTER THE DIFFICULT YEAR 1969 THE DOORS BEGIN A EXCELLENT AND SUCCESSFUL U.S. TOUR, TAKING PLACE MAGNIFICENT PRESENTATIONS, PERFORMING SONGS FROM HIS NEW ALBUM MORRISON HOTEL, AND SOME UNRELEASED SONGS PERFORMED ONLY IN CONCERTS.

Download Link: http://www.megaupload.com/?d=K3U9M7XQ

The Doors Anthology Roadhouse Blues [1969 - 1970]

Quinto Episodio, The Doors a pesar de los incidentes provocados por el miami concert, no dio marcha atrás y siguió luchando por salir de esa pequeña mala racha, para entonces a mediados del 69 the doors regresaba de la ciudad de México para presentarse exitosamente y con 2 shows en el Aquarius Theater, Toronto, ya para 1970 vendrían más presentaciones excelentes como las del felt forum, como también mas grabaciones y tomas alternas en estudio de su nuevo álbum Morrison Hotel.

"The Future's Uncertain And The End Is Always Near"

01 – Queen of The Highway

02 – Queen of The Highway [Instrumental]

03 – You Make Me Real

04 – Touch Me

05 – The Crystal Ship

06 – Maggie M'Gill

07 – Gloria

08 – I Will Never Be Untrue

09 – Mystery Train / Crossroads

10 – Back Door Man / Roadhouse Blues / Maggie M'Gill

11 – Roadhouse Blues

12 – The Spy

13 – Carol

14 – Blues For Lonnie [Instrumental]

15 – Whiskey, Mystics and Men

16 – Roadhouse Blues

17 – Dawn's Highway / Peace Frog

18 – Blue Sunday

Tracks 1-2: Elektra Sound Studios; Los Angeles, CA; Spring 1969

Tracks 3-5: Aquarius Theatre; Hollywood, CA; July 21, 1969

Tracks 6-9: Aquarius Theatre; Hollywood, CA; July 22, 1969

Track 10: Varsity Stadium; Toronto, Ontario, Canada; September 13, 1969

Track 11: Elektra Sound Studios; Los Angeles, CA; November 4, 1969

Tracks 12-15: Elektra Sound Studios; Los Angeles, CA; Fall-Winter 1969/1970

Track 16: Felt Forum; New York, NY; January 17, 1970

Tracks 17-18: Felt Forum; New York, NY; January 18, 1970

FIFTH EPISODE, THE DOORS, DESPITE THE INCIDENTS CAUSED BY THE MIAMI CONCERT, DID NOT BACK DOWN AND KEPT FIGHTING TO GET OUT OF THAT LITTLE BAD RUN, THEN IN MID 69 THE DOORS BACK FROM MEXICO CITY TO PRESENT AND SUCCESSFULLY 2 SHOWS AT THE AQUARIUS THEATER, TORONTO, AND FOR 1970 WOULD COME MORE EXCELLENT PRESENTATIONS SUCH AS THE FELT FORUM, AS WELL AS MORE RECORDINGS AND ALTERNATE TAKES OF HER NEW STUDIO ALBUM MORRISON HOTEL.

Download Link : http://www.megaupload.com/?d=TETNFNPI